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Monkishly, all her contemplation is turned inwards on to her own processes of learning, not outwards on the messy imperfect matter the language works to express." - Tessa Hadley, The Guardian "Lahiri’s book feels starved of actual experiences of Italy, or reflections on how that language gives form to its different world.The progress of the book mirrors Lahiri’s growing confidence and skill in the language, her obsession with it, immersion in it, and the texts become more layered, more linguistically adventurous." - Jan Dalley, Financial Times "Yet what initially appears artless is of course not that.No consensus some think it's wonderful, but some very critical
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